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CRIMSON CHRYSALIS – Crimson Passion Cry
The British would say “breathtaking,” a term that does not include a consideration of Italian effectiveness comparable to define as ” Crimson Passion Cry “, the new album from Crimson Chrysalis , really able to hold their breath from the first minute of each piece that composes it. A job that apparently is so perfect as to be almost annoying, contained in a particular genre of music so much, as difficult to understand and not too wide usability. definitely need to start by saying that the distinguishing feature of this album is the epic, which accompanies the entire composition, although only a few of the tracks can be considered emblems orchestral appearance of ” Angels & Demons , “” Moth Around A Flame “and” Soliloque . ” keyboards emerge, however, in the title track ” Crimson Passion Cry “and the bonus track” Lost , “while in” Deo Volente “clear the air-Italian opera: this is what sums up the classical aspect of the album Crimson Chrysalis. Worthy of note, no doubt, ” Blood Diamond , “which opens a window on African folk music, probably typical of the areas of origin of the singer René van den Berg, and” F Off And Die , “which recalls the sound of the Rock at the end of the 80s. Di different structure are Instead, the remaining tracks: Symphonic Rock, even if sometimes the guitar riffs skim veins of metal, which can in some way recall the sound of Nightwish. Overall, an album for connoisseurs and fans of the genre, not easy listening for the variety of features that contains within it: comparable to the great epic scores, keyboards clean, clean sound, a masterful vocal enriched by an incomparable French accent, which makes it even more elegant, and absolutely flawless production. More complex than a simple Symphonic Rock, almost on the imaginary line that delineates a border with classical music.